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Das SHRIMP-Projekt gliedert sich in vier aufeinander aufbauende Milestones, die das Ziel haben, eine in unterschiedlichen textbasierten Geisteswissenschaften gleichermaßen einsetzbare, innovative, personalisierte Lehr-Lernumgebung zur Verfügung zu stellen:
Ziele:
Submitted by jr on
Der Blog "Digitalität in den Geisteswissenschaften" der Universität Bayreuth hat unseren Projektleiter Sebastian Herrmann zu SHRIMP befragt. Thema waren unter anderem die Besonderheiten des digitalen Readers und die Entwicklung des Projektes seit der Gründungsphase.
Submitted by jr on
Zum Anfang des neuen Jahres gibt es bei SHRIMP gleich mehrere neue Funktionen, um die Nutzung des Readers bezüglich Interaktion und Übersichtlichkeit zu verbessern.
Die Kommentare sind nun intuitiver angeordnet, vom Ältesten hin zum Aktuellsten.
Die Passage im Text, zu welcher ein Kommentar abgegeben wurde, ist mit einem gelben Schatten hinterlegt.
Submitted by siteadmin on
Submitted by siteadmin on
Submitted by smh on
<p>This is in line with Bennett and Royle's comments on the hero usually being the person we identify with. ### This point is picked up in a sample essay on the movie The Pursuit of Happyness</p>
Submitted by smh on
<p>This use of a more vernacular language marks Linda as both more working-class and 'more black,' speaking to the intersectionality of these categories.</p>
Submitted by smh on
<p>Secretaries, along with teachers and nurses, are also one of the stereotypically female jobs that female characters have had in (American) literature.</p>
Submitted by smh on
<p>Of course, the picture Linda paints in this scene goes against the stereotypical division of gender in the family, which would usually have the husband "pulling double shifts" as the provider of the family. This evocation works to further undermine Chris's masculinity, instead positing Linda, at least in terms of economic success, as the stereotypically more 'masculine' part of their relationship. </p>
Submitted by smh on
<p>Note that 'real' is set in single quotation marks here to denote the author's recognition that there is no such thing as a 'real man,' a differentiation between real and unreal, true and false, supposedly based on authenticity, but that, instead, masculinity is a constructed, discursive concept.</p>
